A well-designed home for the family with a small building budget. Compact . . . yet this home contains all the essentials for convenient living. Note the master bedroom with its enormous full wall closet. The all-purpose screened car porte with its large storage space can also be used as a workshop.

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source 1949 APS Homes Florida

Gemini AI Rendering

Center of family interest in this 2-bedroom home is the large living room with a cheery wood-burning fireplace. The economical arrangement of plumbing fixtures cuts construction costs. An unusually large kitchen has ample space for midnight snacks. The large storage wall in the garage is a perfect spot to add a pantry or deep freeze unit.

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source 1949 APS Homes Florida

Gemini AI Rendering

 I usually avoid movie biopics. Most of them end up being superficial, exaggerated, or filtered through the producers’ own visions and obsessions instead of truly showing the person and artist behind the legend. And in Michael Jackson’s case — after all the unfair accusations and disgusting things that have been said and produced about him over the years — I had every reason to be skeptical. Still, after seeing a Facebook post by a friend, I decided to give Michael a chance. And I’m incredibly glad I did.

The film is simply fantastic. It achieves something very rare for a biopic: it delivers genuine emotion and makes you feel like the person on screen really is the artist you once admired. Jaafar Jackson was incredible in the lead role. There were moments when I completely forgot I wasn’t actually watching Michael himself. The gestures, the look in his eyes, the voice, the stage presence — everything was recreated with astonishing naturalness.

I was also genuinely happy to see the theater full of young people. By the end, many people in the audience had tears in their eyes. The film carries a very powerful emotional weight, especially for those of us who grew up with Michael Jackson’s music and followed him during the years when he was still alive. It felt like reconnecting with an old friend — someone lost a long time ago, but found again for a few hours. The movie takes you back to a world that now feels gone. I don’t know if it was necessarily a better world than the one we live in today, but for many people Michael represented the idea that there was still light, hope, and beauty left in the world.

My first contact with Michael’s music was in the early ’90s through VHS tapes sent by my uncle from Germany. That’s how I fell in love with his music and admired his unique showmanship. “Smooth Criminal,” “Billie Jean,” and “Dirty Diana” remain some of my favorite songs to this day, and I think the film perfectly captures the magic of that era.

Michael finally does justice to the artist. The movie does not shy away from the suffering and hardships he endured from childhood onward. We see the pain of a child who lost his childhood too early, the enormous pressure placed on him, and the loneliness that followed him for years. At the same time, though, the film also highlights his brighter side: his kindness, generosity, and sincere desire to bring joy to people through music.

This is a film that celebrates both the artist and the man, Michael Jackson. If I had to criticize one thing, it would only be that it feels too short. When it ends, you feel like you wanted to stay in that world just a little longer.

I give it a 9.5/10 and highly recommend everyone see it — especially in IMAX.

Also… FUCK the critics!

 Today I added a quietly beautiful postcard to my collection — a hand‑tinted view of Lake and Bridge, Central Park, New York, likely printed in the early decades of the 20th century, when postcard publishers were perfecting that soft, pastel wash that makes every scene feel like a memory rather than a moment.

What struck me first was the serenity. Two figures drift across the lake in a small rowboat, framed by lush trees that seem to glow with that unmistakable early‑chromolithographic palette. In the distance, a bridge arches gently over the water, and beyond it, the silhouettes of buildings peek through the foliage — a reminder that even in its earliest days, Central Park was a deliberate escape carved into the heart of a restless city.

This illustration belongs to a period when postcards were not just souvenirs but small works of art. Publishers often retouched photographs by hand, adding color where the camera could not, smoothing textures, softening shadows. The result is this dreamlike version of New York: a city that feels both real and imagined, bustling yet calm, modern yet pastoral.

What I love most is how the scene captures the original intention of Central Park’s designers. In the late 19th and early 20th centuries, the park was meant to be a democratic refuge — a place where anyone, regardless of background, could breathe, stroll, and momentarily forget the noise of the streets. This postcard preserves that ideal in miniature. The boaters, the bridge, the gentle water — they’re not just decorative elements; they’re symbols of a city learning to balance ambition with beauty.

Adding this piece to my collection feels like adding a small, quiet heartbeat from old New York. It’s a reminder that even the most iconic places had their tender, unhurried moments — and that postcards, in their modest way, are some of the best storytellers of all.

This is a roomy, 2-bedroom home adaptable to either the strictly modern or more conventional exterior. The floor plan provides for big-home beauty and comfort at small-home cost. Note the arrangement of living room, dining room and porch for through ventilation, and the ample closet and storage space.

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source 1949 APS Homes Florida

Gemini AI Rendering