Capturing a piece of Hollywood history is always a thrill, and my latest find is a true gem. I’ve recently added this stunning vintage photograph of the legendary Jane Seymour to my collection, and it’s a breathtaking reminder of why she has remained a global style icon for over half a century.

The physical photograph carries a charming piece of history on its reverse:

"March 20, 1991. Jane Seymour at the 43rd annual Writers Guild of America awards held at the Beverly Hills hotel in Beverly Hills."

The event itself was a prestigious gathering of the industry’s greatest minds. The 43rd Annual Writers Guild of America Awards took place at the iconic Beverly Hills Hotel—the "Pink Palace"—which has served as the backdrop for Hollywood’s most intimate and glamorous moments since 1912.

That evening in 1991 was particularly special, as it featured the WGA's first-ever female emcee, the brilliant comedian Elayne Boosler. The room was filled with the year's top storytellers; notable winners that night included Callie Khouri for her groundbreaking screenplay for Thelma & Louise and Ted Tally for the chillingly masterful The Silence of the Lambs. Amidst this sea of literary giants, Jane Seymour shone as a beacon of classic Hollywood elegance.

In the photograph, Jane is the epitome of 90s sophistication. Clad in a striking black ensemble with dramatic, sheer voluminous sleeves, she perfectly balances the era's love for bold silhouettes with her own innate grace. Even in a candid black-and-white shot, her radiant smile and piercing eyes—one of her most famous and beautiful features—command the frame.

Often referred to as the "Queen of the Miniseries" during this era, Jane was just a couple of years away from her iconic run as Dr. Quinn, Medicine Woman. Looking at this photo, it’s easy to see why she was a favorite of photographers and fans alike; she possesses a rare, "ageless" quality that feels as fresh today as it did thirty-five years ago. This photo isn't just a piece of paper; it’s a frozen moment of glamour from one of Hollywood's most legendary venues. 

TRUE TO ITS NAME this living room is a place to be lived in. Two-way fireplace, flanked by book shelves and snack bar, juts out into the room and lacks only bedroom slippers for complete comfort. Wall opposite perfect for television. Exceptionally large kitchen and breakfast nook full of windows — That means light and sun. Three bedrooms and bath off center hall. Exterior glamour: long window and cheerful window box on living room wall.

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source: 53 house plans for 1953 by Rudolph A. Matern

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I’ve recently added a true gem to my collection: an original 1972 press photo of the radiant Jane Seymour. The inscription on the back tells a thrilling story: "4 Nov 1972, Heathrow, London. Jane Seymour, 21, leaves Europe for New Orleans to star in the new James Bond film, alongside Roger Moore."

When Jane Seymour boarded that flight on November 4, 1972, she was a 21-year-old actress leaving behind a steady role in the British drama The Onedin Line. By the time she landed in New Orleans, she was entering the "Bond machine," a transition that would permanently alter her career trajectory.

• The "Fillet of Soul" Restaurant: Located at 826 Chartres Street, this was the site of a tense confrontation between Bond and Kananga’s men.
• The Opening Jazz Funeral: The haunting opening sequence was filmed at the intersection of Chartres Street and Dumaine Street.
• The Legendary Boat Chase: Much of the film’s action took place just outside the city in the Louisiana Bayous, specifically around Slidell and the Irish Bayou, where Bond’s famous speedboat jump over Highway 11 was staged.

SUBSTANTIALNESS and warmth of the country pervades the exterior of this house. Indoors, all the suavity of a city apartment in the dropped-floor living room. Large floor-to-ceiling bay with small panes and the fireplace seem early American. Dining room, one step up, with a honey of a glassed-in sun porch and its indoor-outdoor garden and sliding glass partition — ultra modern. Equally smart; dining alcove, large pantry, walk-in closet, two baths, one with built-in vanity.

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source: 53 house plans for 1953 by Rudolph A. Matern

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 There is a unique thrill in finally tracking down a rare piece of cinematic history. This morning, I officially added an incredible on-set photo from the 1963 neo-noir thriller The Yellow Canary to my collection. Holding a physical piece of production history feels like a direct link to the Golden Age of Hollywood, capturing a moment of focused artistry before the cameras even started rolling.

The Yellow Canary itself is a fascinating, gritty slice of 60s cinema. Written by the legendary Rod Serling (of The Twilight Zone fame), the film follows a wealthy, arrogant pop singer whose life is upended when his infant son is kidnapped. It’s a tense, psychological journey that moves away from the glossy musicals of the era and dives into a darker, more suspenseful atmosphere.

Of course, the heart of the visual appeal—and a major reason this photo is such a prize—is the presence of the gorgeous Barbara Eden. Long before she became a household name in I Dream of Jeannie, Eden was proving her range as a dramatic actress. In this film, she plays Lissa Paxton, the distraught mother. Even in a high-stakes thriller, her elegance and screen presence are undeniable. Seeing her "in character" on set reminds you why she became one of the most enduring icons of the screen; she possesses that rare mix of classic beauty and genuine emotional depth.

TONE OF MORE leisurely era created by graceful curved staircase leading up from large entrance foyer to second floor bedrooms and bath with tub and stall shower. Luxurious details heighten pleasant side of life. Large terrace with pool accessible from dining room, breakfast nook and kitchen. Powder room with shower easily reached from center hall and garage. Den has private covered porch with garden.

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source: 53 house plans for 1953 by Rudolph A. Matern

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