This one-story house for a young family- Mr. and Mrs. Howard Devol and their two daughters-includes no attic or basement. But in its 3.488 square feet exceptional storage is allotted for the bedrooms, living- dining area and kitchen wing. Every closet or cupboard is located where it is most convenient and fashioned to fit the precise size and shape of its contents. Everything in the house is stored at point of use and there is none of the clutter inevitable in poorly designed closets. 

The bedrooms have walk-in closets as large as 5' x 6'; all bathrooms have towel and hamper cupboards and counter cabinets. A 9' long cabinet is the decorative star of the dining room and a 13' entertainment center is the heart of the family room. More storage is concealed in the wood walls of these rooms. Walls of kitchen, laundry and service hall are lined with a variety of cabinets; three huge outdoor closets adjoin carport and terrace.

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source: House and Garden Magazine | September 1959

Congenial to trees that dominated the site before construction began, this rambling flat-roofed house, above and at top of page, which was built by an architect for his own family, has the mellow settled look you associate with "homestead." From the drive you see the upper, bedroom level as a well integrated part of the overall design which includes the garage joined to the house by a covered entrance walk. The strong scale of the stone fireplace chimney visually anchors the elevated section to the long one-story base; and the wide roof fascia above the vertical redwood siding forms a bold horizontal ribbon that links the house, covered walk and garage and emphasizes the solid, down-to-earth look. All of the exterior trim is painted black.

"The irrational rationality" of the greenhouse-porch, right, like the sculptor's bridge in Dean Hudnut's article, is the central idea that gives the house its imaginative quality. Set into the heart of the house, the porch is visible from all the main living areas. It is screened, appropriately for the midwest climate, and roofed in clear plastic. In winter, storm sash replace the screens and the porch is heated. Water flows in the pool all year and evergreens flourish in the planter area.

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source: House and Garden Magazine | August 1959

Three elements color, materials and accessories – can take a kitchen out of the workaday class and into the realm of leisure living. When Dr. and Mrs. Goddard Du Bois remodeled a kitchen, porch, pantry and closets into one big room for cooking, family activities and informal parties, they chose a sophisticated color scheme of blue, white and black. It is carried out in two versions. In the kitchen emphasis is on white and black: white for the ceiling, countertops and the wood cabinets above the counter, black for those below. Blue curtains and blue glass are the color accents. Beyond the cooking island, the scheme is reversed. The ceiling is painted blue, bench and banquette are upholstered in blue plastic, the curtains are blue-and-white. Black dining chairs, white globe-shaped lighting fixtures, white-topped table are the accents. Warmth and bright color come from mahogany paneling, a copy of modern painting, a garden view. A black-spattered white vinyl floor links the two areas.

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source: House and Garden Magazine | August 1959

Surprising and sudden as it always seems, small children grow into big ones. Unexpectedly the house is hopping with their teen-age projects, parties and friends along with the activities of their enthusiastic if less lively parents. These are the flourishing years of family life, the years that can be the best, as well as the busiest if the house works equally well for both generations. If it doesn't, it may seem as if bedlam were built in.

Key to the success of this house  is that it gives a fair share of independence and privacy to both parents and children. Mr. and Mrs. S. M. Solton have a daughter Jamie, 16 and a son Steve, 18. For their Beverly Hills home they firmly stipulated a playroom and patio for the teenagers, a bed-sitting room and terrace for themselves. The family shares the major rooms, of course, as it shares most interests and activities, and also has fun around the landscaped pool, and outdoor areas. But when the young people want to rock 'n roll and play Ricky Nelson they have their own territory to do it in and they can charge in and out of the playroom without disturbing their parents. Each generation also has complete individual privacy in the well secluded bedrooms. The Soltons say the plan works perfectly. They want their children to enjoy dancing and swimming parties at home and to be able to have overnight and week-end guests. And they entertain a great deal themselves. In this happy household both generations can enjoy these pleasures painlessly.

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source: House and Garden Magazine | June 1959

The sun-bathed courtyard is the fresh- air core of the suburban Chicago house that Mr. and Mrs. Harold Levin built on the premise that a house and all its pleasures belong to the children as well as to the parents. The living room, the dining room and the entrance hall all open to the court, and so does the big glass-walled playroom shared by Michael, 11; Debbie, 8; and Ellyn, 4. All year round parents and children together enjoy the visual delights of the court's sun and shadows, its planting of trees and flowers and its placid pool. In spring the children watch the birds return to the birches; in summer they love to dangle their feet in the pool. And for fully seven months of the year, Mr. and Mrs. Levin can use the court for their own leisure hours and for entertaining.

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source: House and Garden Magazine | April 1959

Neither the Anthony Reinachs nor their architects had a courtyard plan in mind when they first discussed the design of this house. The idea evolved as the Reinachs outlined "what kind of people they were" in voluminous notes to the architects and numerous conversations. And as interest grew in "a sheltered but sunny outdoor living area" a center court became the key to the design. It embodied many ideas they cherished. They "loved stone, wood, greenery" and the court introduced an excellent place for these materials. Their concept of beauty was a house with "warmth and a feeling of wholeness" and the court is indeed an inviting magnet which unites all elements of the house in a cheerful way.

It presents many other advantages. It relates the major rooms to each other practically, lets them be joined together for summertime parties. For entertaining, Mrs. Reinach says, "the house is flexible enough for any kind of party we've been able to dream up." Yet the court is a useful buffer area that definitely separates the living and children's rooms in a way few conventional one-story plans can equal. And it contributes many intangible, agreeable effects. One is the balance of light and the changing patterns of light which occur in rooms where daylight comes from two sides. Another is the elimination of any long, dark corridors. And especially desirable is the visual enlargement of the living and dining rooms, the study and the entrance hall. The dimensions of each of these rooms seem to be extended by the courtyard.

As you walk into the entrance hall, you get a full view of the courtyard and its planting. In spring, bulbs and a fruit tree bloom here. In winter, it may be cloaked, picturesquely, in snow. The living and dining rooms beyond form one great area effectively divided by a free-standing storage cabinet. But only a glass wall separates them from the court which provides a dramatic outlook and sky- high spaciousness. At the same time, the court clearly divides the whole living area and guest room-study from the kitchen and children's rooms-almost as if they were separate houses. Beyond the kitchen, the Reinach children, Barron, 4, and Alan. 2. have their own bedrooms adjacent to the playroom at one corner of the house; it opens to the south terrace. Storage facilities throughout the house are remarkably generous and well engineered. Cupboards, closets and cabinets representing one-third of the total floor area were carefully planned to keep everything readily available near the point of use.

AN INNER SANCTUM where the Reinachs can enjoy the outdoors in total privacy, the courtyard is linked by one sliding door to the living and dining rooms in back and by another to the study at left. (The illusion of a glass-roof interior is actually a reflection of the court in the upper glass of living room.) Behind solid wall at right is the kitchen, well lighted by ribbon windows under the roof. Because the courtyard is a sheltered "sun trap," Mr. and Mrs. Reinach can use it more than half the year, even in the Westchester County climate. They enjoy it in winter too. After they moved in and the first snow fell they were so entranced by the effect they sat up most of the night watching the white carpeted court and the fantastic shapes assumed by the shrubbery.

Like any woman who enjoys cooking, Mrs. Reinach had a host of ideas about how the kitchen in her courtyard house should work. Her very successful partnership with the architects produced a kitchen-breakfast area that is handsome but not opulent, efficient but not stark. Visually, the length is minimized by the two arms of the U-shaped working center, one of which contains a double sink, the other, a cooking counter. Above the burners is suspended an exhaust hood finished in soft blue, which assumes the clean form of a piece of contemporary sculpture. Storage facilities are abundant and beautifully paneled in walnut. Opposite the work center, there is a storage wall 21' long with two built-in refrigerators and ovens. Just off the kitchen is the children's playroom which has a barbecue fireplace, vinyl tile flooring and plastic-coated walls tough enough to withstand chalk and crayon scrawls.

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source: House and Garden Magazine | April 1959